I always end up adding an extra 10% to my word count on each editing pass I do, and this is true with my CLS Romance Project, where I am up to about 31,000 words. I credit this workshop for a lot of my editing work, and I am constantly adding things which I found was short-changed the first time through:
Wednesday Workshop: Purple Monkeys and Padded Rooms
I just love that workshop, and yes I wrote it, but it forces me to slow down and rethink rushing through a scene. To me, those details of what things look like bring in so much to my work, and all sorts of interesting observations start appearing in my writing as characters begin reacting to where they are and what other characters look like.
It is instantly great stuff, and it not only gives the reader an idea of what things look like, it gives the reader an insight into the character observing the scene and how they think about the world. a great description goes both ways, it colors the world for the reader, and it also colors the character observing that world to the reader.
When we write a first draft, we invariably rush to get the scene done. When we come back, we need to pay attention to grammar and correctness, but also sound and tone. And finally, we need to pay attention to painting that picture in a reader's mind. That is what I love doing, coming back to a scene and then seeing all the fun little places that I can paint-by-numbers some great detail and visuals back into the work.
You can go too far, and spend a lot of time describing things which do not need description, but you need to pay your dues at other times. If you can go through several chapters and still have no idea of what a character is wearing or looks like, you have a serious problem. I love great dialog, but one things I notice about a lot of books with great dialog is a distinct lack of description, as if somehow a character's words alone will tell a reader what that character looks like or what they are wearing.
You need to slow down, and nail this stuff. Readers need to be filled in on the basics, and you need to set the scene. Characters needs to be described at least once, and even the most minor of details can be very telling.
But yes, I find it is very helpful to use the purple monkey and padded room rule when you edit, because it forces you to think about things which may have just sailed right by you through several editing passes. These missed descriptions are great opportunities to use to not only paint your world a little for your readers, but to make your characters come to life in ways which reflect the world you just described.
Home for authoress Sylvia Storm's writing, projects, previews, and news. Also, thoughts, reviews, experiences, and commentary for writers and creators of fiction.
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